Sad Paino Oops I Did It Again

2000 studio album by Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio anthology past

Britney Spears

Released May 3, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • 3rd Floor
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York City
  • East Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Bout-de-Peilz, Switzerland
Genre
  • Pop
  • dance-pop
  • teen pop
Length 44:37
Characterization Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby 1 More Time
(1999)
Oops!... I Did Information technology Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Once again
  1. "Oops!... I Did It Again"
    Released: April eleven, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: Oct 31, 2000
  4. "Don't Let Me Exist the Terminal to Know"
    Released: March 12, 2001

Oops!... I Did It Again is the 2d studio album by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Babe One More than Time (1999), it is a popular, dance-popular, and teen pop record, the album incorporates a more funkier and R&B sounds.[one] Contributions to the album'south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[ii]

Upon its release, Oops!... I Did Information technology Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal functioning. The anthology became a massive commercial success, debuting at number i in over 15 countries while peaking inside the top 10 in various others. In the The states, it debuted at number one on the Billboard 200, with kickoff-week sales of 1.39 million copies, condign the fastest selling anthology past a female creative person since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This record was broken fifteen years later by Adele's 25, which sold over iii.38 million copies in its first week of release.[4]It became Spears' 2nd consecutive anthology to exist certified Diamond by the Recording Industry Association of America, denoting sales of over 10 million copies in the U.s., making Spears at age 18 the youngest creative person to take multiple diamond albums.[5] With worldwide sales of over 20 million copies,[six] Oops!... I Did It Once again is one of the all-time-selling albums of all-fourth dimension.

Four singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number 1 in fifteen countries and peaking at number nine on the United states Billboard Hot 100. Its second single, "Lucky", peaked at number 1 in Republic of austria, Frg, Sweden and Switzerland, inside the height ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United kingdom, and at number 20-three on the US Billboard Hot 100. Its third single, "Stronger", reached the top ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the anthology, receiving a Golden certification in Australia, Denmark, Germany, New Zealand, Sweden, and the Usa. Its final single, "Don't Permit Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the peak ten in Austria, Poland, and Switzerland, just failed to chart on the U.s. Billboard Hot 100. To promote the album, Spears performed on several television shows and honor ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first time on Saturday Dark Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did Information technology Once more Tour, starting on June 20, 2000 and catastrophe at the Rock in Rio festival on January 18, 2001.

Recording and production [edit]

"When I did the first album, I had just turned xvi. I hateful, when I look at the album cover, I'1000 like, 'Oh, my lordy.' I know this adjacent album's going to be totally different--especially the material. I only got finished recording the kickoff half dozen tracks in Sweden two months ago, and the material is so much more funkier and edgier. And, of form, it's more mature because I've grown equally a person too."

—Spears on the progression of her material for the album.[7]

After vacationing for half-dozen days following the completion of the ...Baby One More Time Tour in September 1999,[viii] Spears returned to New York Urban center to begin recording songs for her next anthology; the majority of the recording took identify in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Once again", "Walk on By" (afterward covered past Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the commencement to be recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the title track) in January 2000. Spears recorded "Don't Allow Me Be the Terminal to Know" at Robert Lange'southward villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You Now" was an outtake from ...Baby I More than Time. "Girl in the Mirror" and "Can't Brand You Honey Me"'s instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren'south "When Your Optics Say It" at Battery Studios on Friday, Jan 28, 2000, which preceded her TRL appearance that day. "1 Buss from You" was also recorded at Battery Studios just was later finished at 3rd Flooring in New York City. Spears as well recorded the last runway for the album "Dear Diary" which would subsequently be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York Urban center. Another song recorded during these sessions was "Center". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 afterwards attending the 42nd Annual Grammy Awards.[13]

By Jan, the then-untitled album was halfway to completion; Spears had worked on it primarily in the U.s.a. and Sweden, and finalized material in New York Metropolis.[nine] She was heavily pressured afterwards ...Baby I More than Time 'south huge commercial success, stating: "It's kind of hard following ten meg, I have to say. But afterward listening to the new material and recording information technology, I'm really confident with it."[14] Upon the release of Oops!...I Did It Again, Spears said: "I hateful, of form in that location's some pressure", and added: "But in my opinion, [Oops!] is a lot better than the starting time album. Information technology's edgier – it has more than of an mental attitude. It'due south more me, and I call up teenagers will relate to information technology more." Geoff Mayfield, managing director of Billboard charts, added that the decision to release Oops!... I Did Information technology Again less than a year and a one-half subsequently Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base, become 'em while they're hot."[15]

Music and lyrics [edit]

Oops!... I Did It Again was considered as a sequel to Spears' debut album, ...Baby One More Time (1999),[1] percolating with a advisedly measured alloy of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It's non something I changed purposefully", Spears said of the album's sound and added: "It's just something that kind of changed on itself with me being older. My vocalism has inverse a little bit and I'm more confident, and I think that comes across on the textile."[vii] One of its producers, Rodney "Darkchild" Jerkins talked virtually working with Spears on a Rolling Stones cover, stating: "Information technology'due south going to shock everybody", adding: "Information technology has flavors of the original, simply it'due south a directly 2000 version — new to the ear. Which I think is absurd, because people who appreciate that song are going to love information technology. And I made it so new and young that the young kids that love Britney are going to love it. It's going to grab both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Final to Know", telling MTV News: "When you hear the song, it's so pure and delicate. It'south but one of those songs that pull you in", and added: "I think they wrote it 'especially for me, because the lyrics of the song, if y'all really listen … they're more of what I tin can chronicle to, 'crusade they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying."[17]

The title track and opening vocal, "Oops!... I Did It Once again", was compared to her debut single, "...Baby One More than Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, you lot recall I'thou in love/That I'm sent from to a higher place — I'thousand not that innocent."[18] The song besides breaks down for a spoken-word interlude, involving a line from the film Titanic (1997).[eighteen] The second rails "Stronger" is a synthpop[nineteen] and R&B-infused rail,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[20] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby One More than Fourth dimension".[17] Another R&B-infused track, which too adds a bit more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging ahead afterward a breakup.[xx] The fourth track, a cover of the Rolling Stones' "(I Can't Go No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-pop version also jettisons the song's last verse and adds some new lyrics[17] ("how white my shirts could exist" becomes "how tight my skirt should be").[22] "[It] was my idea [to record the song]", Spears said. "I was simply like, 'I similar this song,' and I remember it volition be a really absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[thirteen] The fifth track, "Don't Let Me Exist the Final to Know", was co-written by country-pop singer-songwriter Shania Twain and her so-husband, producer Robert "Mutt" Lange, who as well produced the track.[17] The carol, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of country twang into her vocals every bit she begs a lover to reveal his feelings: "My friends say y'all're into me ... but I need to hear it directly from you", she sings.[17]

The sixth track "What U Encounter (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the 7th track, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can exist empty.[20] "If there's zero missing in my life/Then why do these tears come at dark?", she asks.[nineteen] "School trounce" is the theme of "One Kiss from You",[20] a rails that has a reggae-style beat and lyrics virtually the feelings of falling in love, and the quickness of it,[23] with Spears cooing that later simply one buss she sees her unabridged future with her lover.[24] The ballad "Where Are Y'all Now" talks about wanting to know where a previous beloved is, and what that person is up to, and so that she tin finally let them go and find closure.[ citation needed ] Lines on "Can't Brand You Love Me", a Europop vocal,[21] state that fancy cars and money pale in comparison to true honey,[20] with Spears singing: "I'm merely a girl with a crush on you."[21] The mid-tempo, synth-backed "When Your Optics Say Information technology", written by songwriter Diane Warren, combines a string section with a loping hip hop beat,[17] while Spears makes her ain songwriting debut on the minor, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "and then much more than friends" with a male child.[17]

Release and promotion [edit]

In belatedly 1999, Spears promoted her upcoming anthology in Europe with live performances of her past songs. She appeared on Blast Hits in the United Kingdom.[25] In Italy, she did a short interview on the television set bear witness TRL Italia in early on 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May xiii.[25] In Kingdom of spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the United kingdom of great britain and northern ireland, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short U.k. outing in October 2000.[26]

Oops!... I Did Information technology Over again was first released in Japan on May 3, 2000, and was afterwards released in the U.s. on May 16. In the United States, Spears appeared on Saturday Night Alive on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Dark with Conan O'Brien.[25] On May 13, Spears was both the host and musical invitee on NBC'southward Saturday Nighttime Live. She likewise performed on NBC'southward The Tonight Show with Jay Leno on May 23.[28] Spears' held her post-TRL listening political party, "Britney's First Listen", on May 16, and was toast the arrival of her album on side by side Tuesday's installment of TRL that started at 3:thirty p.m. (ET).[29] On May xiv, she was at Times Square studios for two hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Once again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio Urban center Music Hall, Spears gave a memorable alive performance.[30] which included a cover of the Rolling Stones'south striking single "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released earlier that yr. While she began her segment in a black adjust, she shocked the audience and the media while, at simply the historic period of xviii, ripped information technology off to display a revealing, flesh-colored phase outfit with hundreds of strategically placed Swarovski crystals.[31] One month before the release of the album, Spears headed to Hawaii on Easter Dominicus so she could tape a Play a trick on television special titled Britney Spears in Hawaii. The gratuitous concert was held on the beach in front end of the Hilton Hawaiian Hamlet lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did Information technology Once again album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May 2, she had a printing event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.1000. (ET/PT).[34] She was too expected to appear on a Grammy-twenty-four hours TRL.[34]

The anthology's supporting tour, the Oops!... I Did It Once again Bout, visited North America, Europe, and Brazil every bit part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Allow Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and television set ad campaign for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own vocal for the make called "I've Got the Urge to Herbal" that was featured in 60-2nd radio spots and was office of a pre-concert video presentation for Spears's 50-city summer concert tour, in which Herbal Essences was the tour sponsor.

Singles [edit]

"Oops!... I Did It Again" was released every bit the lead single from the album and achieved worldwide popularity. It became Spears'southward 3rd height-ten hit single on the U.s. Billboard Hot 100, peaking at number nine; yet, in comparison to the huge success of her debut single "...Baby Ane More Time", Jive Records considered "Oops!... I Did It Again" a minor disappointment.[36] The song peaked at number one on the US Mainstream Elevation xl,[37] holding the tape for the most radio additions in one 24-hour interval. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the U.k..[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the body of water at the end of Titanic.[39]

The album's 2nd single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number v on the United kingdom Singles Nautical chart.[40] In the U.s., "Lucky" only managed to tiptop at number 20-three on the Billboard Hot 100 chart and at number ix on the Mainstream Summit 40.[36] The "glittery" music video sees Spears equally the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]

The third single, "Stronger", was released on October 31, 2000 and became the album's second highest-charting single in the United states of america, peaking at number xi on the Billboard Hot 100 and number ane on the Hot Unmarried Sales.[36] It reached number seven on the United kingdom Singles Chart.[42] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]

The 4th and final unmarried, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is i of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Top forty. However, the song attained success in Europe, topping the Romanaian Top 100 and peaking within the top x in Republic of austria, Poland and Switzerland, while only missing the pinnacle 10 in Frg, Ireland, Sweden and the Uk, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional boyfriend, played by French model Brice Durand.[45]

"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ commendation needed ]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [i]
Billboard favorable[16]
Christgau'southward Consumer Guide (choice cut) [48]
Amusement Weekly B[21]
Los Angeles Daily News [49]
MTV Asia viii/10[fifty]
NME 8/10[19]
Rolling Rock [22]
Salon favorable[51]
Sonic.cyberspace [52]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[53] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-popular that made 'One More than Time'," merely remarked that, "Fortunately, she and her production squad not simply have a stronger overall set of songs this fourth dimension, merely they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album grapheme apart from the well-crafted dance-pop and ballads that serve every bit its heart. In the finish, information technology's what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she'due south developing a soulful edge and emotional depth that can't exist conjured with a glass-shattering annotation," praising the anthology for consistently cast[ing] Spears as a young adult female coming to terms with her inner power—and that'due south a darn good message to offer an impressionable audience."[16] Entertainment Weekly'due south David Browne gave the album a B-rating, writing that the album "reminds us again that the best new pop tin be a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Rock gave the album a iii-and-a-one-half out of five stars rating, calling the album "fantastic popular cheese, with much better song-mill hooks than 'N Sync or BSB get", besides noting that "the great affair nearly Oops!, under the cheese surface, is complex, trigger-happy and downright scary, making her a true child of stone & roll tradition."[22] A author of NME reported that "she's mod-day pop perfection realised in a nearly, human form", commenting that "she'south washed information technology again."[19] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[50] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its bulletin simply for the way it applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more than mixed, calling it "a joyless scrap of redundant, obvious, competent cheese, recycling itself at every plough and soliciting songwriting from such soulless hacks every bit Diane Warren and assorted Swedes."[54]

Accolades [edit]

Commercial functioning [edit]

In the United States, Oops!... I Did It Once more reportedly sold 500,000 copies in its first day of release.[60] Information technology debuted at number one on the Billboard 200 chart, with first-week sales of one,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest showtime-week sales by a female artist.[64] This tape was held for 15 years, just to be surpassed in November 2015 by the anthology 25 by Adele, which sold over 3.38 million albums in the United States in its start week.[4] The anthology roughshod to number 2 in its second week, with boosted sales of 612,000 copies.[65] It held this position for xv consecutive weeks.[66] [67] Past its fifth week of availability, Oops!... I Did It Again had sold over 3 meg copies and had passed 5 million copies past August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum past the Recording Industry Association of America (RIAA) for shipments of seven million units.[70] [71] The anthology spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Nautical chart, and two weeks on the U.s.a. Catalog Albums.[72] Oops!... I Did It Once again debuted at number eighty-two on the European Top 100 Albums, and quickly peaked at number ane;[73] information technology sold over four 1000000 copies within the continent, being certified four-times Platinum past the International Federation of the Phonographic Manufacture.[74] Oops!... I Did Information technology Again reached number two on the UK Albums Chart,[38] selling 88,000 copies in the beginning week of release; it remained in the top v for four weeks. The anthology debuted at number ane in Canada, selling 95,275 copies in its showtime week.[75]

It topped the French Albums Chart[76] and the German Offizielle Pinnacle 100, likewise being certified triple Platinum past the British Phonographic Manufacture (BPI),[77] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent 10 weeks in the top twenty;[80] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum past the Australian Recording Manufacture Clan (ARIA) the following year after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did Information technology Again opened at number iii on the New Zealand Albums Chart and was certified Gold after merely one week on the nautical chart.[83] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Again became the third best-selling album of 2000 in the United states of america, selling vii,893,544 albums according to Nielsen SoundScan[85] and fourth acknowledged album according to Billboard Year-End of 2000.[86] On Jan 24, 2005, the anthology was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[87] [88] As well, the anthology landed at number twenty-seven on BMG Music Gild all-time best-sellers listing with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana'due south Nevermind (ane.24 million).[89] As of July 2009, the anthology has sold 9,184,000 copies in the U.s.a., excluded copies sold through clubs, such as the BMG Music Service.[ninety] Worldwide, Oops!... I Did Information technology Once more sold 2.5 1000000 copies in its first week (second highest starting time week sales by a female artist worldwide) and sold fifteen million copies past the finish of the year. Information technology was the best-selling female person album and third all-time selling anthology of 2000. The album has sold 20 million copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, challenge Spears' "What U See (Is What U Get)" and "Tin't Make You Love Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a vocal chosen "What You Run into Is What Yous Get" in 1999 to one of Spears' representatives for consideration on a futurity album, though it was rejected.[91] The case was later dismissed afterward information technology was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the two songs to prove copyright infringement."[92]

Rail listing [edit]

Oops!... I Did It Again  – North American edition[93]
No. Championship Writer(s) Producer(south) Length
i. "Oops!... I Did It Again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
3:23
3. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
3:43
4. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins iv:23
5. "Don't Let Me Exist the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:50
6. "What U See (Is What U Go)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
three:36
seven. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
iii:26
8. "One Kiss from You" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
3:23
ix. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
x. "Can't Make Y'all Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
11. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
4:29
12. "Beloved Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Total length: 44:37
Oops!... I Did It Again  – International edition[94]
No. Title Writer(due south) Producer(south) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
13. "Beloved Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
ii:46
Total length: 48:24
Oops!... I Did It Again  – Asian edition[95]
No. Championship Writer(south) Producer(s) Length
eleven. "When Your Optics Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
three:36
13. "You Got Information technology All" Rupert Holmes Eric Foster White 4:43
fourteen. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 52:33
Oops!... I Did It Again  – Japanese, Australian, Mexican, Asian and Britain special edition[96] [97]
No. Title Author(s) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "You Got It All" Holmes White iv:10
14. "Eye"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 55:34
Oops!... I Did Information technology Again  – Australian special edition (bonus disc)[98]
No. Championship Length
1. "Don't Allow Me Be the Concluding to Know" (Album version) three:50
2. "Don't Permit Me Be the Last to Know" (Hex Hector Radio Mix) four:01
three. "Don't Allow Me Be the Final to Know" (Hex Hector Club Mix) 10:12
four. "Stronger" (MacQuayle Mix Prove Edit) 5:21
five. "Stronger" (Pablo La Rosa'southward Tranceformation) 7:21
6. "Oops!... I Did It Again" (Music video) 4:11
7. "Lucky" (Music video) iv:07
eight. "Stronger" (Music video) three:37
9. "Don't Let Me Be the Last to Know" (Music video) iii:51
Total length: 30:52
Oops!... I Did Information technology Again  – Asian special edition (bonus disc)[99]
No. Title Length
i. "Oops!... I Did It Over again" (Music video) four:20
2. "Lucky" (Music video) 4:14
three. "Stronger" (Music video) three:47
4. "Oops!... I Did It Again" (Karaoke) four:17
five. "Lucky" (Karaoke) 4:xviii
6. "Stronger" (Karaoke) iii:46
Full length: 25:25

Notes

  • Track 4, "(I Tin can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a vocal producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, cord arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Mason, Sr. – editing
  • Bobby Brownish – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, vocal engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Mason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – vocal engineer
  • Jackie Murphy – art management, pattern
  • Mark Seliger – back cover, encompass photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – brand-upwardly
  • Johnny Wright – direction
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – pianoforte, usher, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, song arrangement, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – cord coordinator
  • Hayley Hill – stylist
  • Alfred 5. Brownish – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Factor Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweetness – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – groundwork vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – background vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – groundwork vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – groundwork vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Encounter also [edit]

  • Listing of best-selling albums
  • Listing of best-selling albums by women
  • List of best-selling albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of Dec 2010, Oops!...I Did It Again has sold 9,201,000 copies in the United states according to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does non count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Just Hits. Year by year. 1959-2002] (in Spanish). Madrid, Kingdom of spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

turnergibecompas.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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